PORTRAITS AND WINDOWS
I was astonished by the tiny black-and-white photographs my grandfather had made in the late 1930s and early 1940s. He was not a professional photographer but had an artist’s sensibility, and this would have been lost to me if not for the box of photos I found after he was gone.
The photos sat before me, faded and worn, but the images were alive with a fragile beauty of expression and gesture. Except for a few photos of my grandmother, the portraits were of people I didn’t recognize. But the candid images were haunting and I started to wonder. In my imagination, I began to create small visual poems, woven fabric of memory and dreams. Then, I decided to give life again to these lost images.
After exploring and gaining a deeper understanding of these photographs, I began to alter the images to create the “Portraits” series. These new images are reconstructed as composites where the past and present coexist and resonate.
The "Windows" series continues this exploration by merging my grandfather’s vision and mine. The original faded photographs are recontextualized with fragments from the “Portraits” series suggesting a new narrative transcending the people, place, and time originally portrayed.
Photography is a window to place, time, and memory. In the “Portraits” and "Windows" series, photography enabled me to connect to my grandfather, understand his creative vision, and collaborate with him in creating this new body of work.
Medium: archival pigment print on Hanji (Korean mulberry paper)
Size: 37” x 25” (Portraits series), 20” x 26’ (Windows series)